The Goldberg Variations (1741)
Glenn Gould, piano - 1981 recording session (play - 51 minutes)
Lang Lang, piano (play - 1 hour 33 min - Lang Lang's performance is about twice
as long as Gould's because he plays all of Bach's repeats while Gould does not).
The Well-Tempered Clavier I (1722) (online piano)
Sviatoslav Richter, piano (play - 1 hour 45 minutes) Audio only
Dror Briran, piano (play - 1 hour 52 min) Live video
Siebe Henstra and many others, harpsichord (play - 1 hour 52 min)
Video - Goodall - Even Temperament (5:15)
Video - BBC - The Well Tempered Clavier (5:00)
Partitas (for Harpsichord), BWV 825–830 (1725 - c. 1730) (6 - about 20 min each)
The Well-Tempered Clavier I (1722) (online piano)
Sviatoslav Richter, piano (play - 1 hour 45 minutes) Audio only
Dror Briran, piano (play - 1 hour 52 min) Live video
Siebe Henstra and many others, harpsichord (play - 1 hour 52 min)
Video - Goodall - Even Temperament (5:15)
Video - BBC - The Well Tempered Clavier (5:00)
The Well-Tempered Clavier II (1742)
Other significant large Bach keyboard works:
English Suites (c. 1715?) (6 - about 20 minutes each) (Not so English!)
András Schiff, piano (play - 2 hours)
French Suites (1722-1725) (6 - about 15 minutes each) (Very French)
András Schiff, piano (play - 1 hour 40 mins)
Other significant large Bach keyboard works:
English Suites (c. 1715?) (6 - about 20 minutes each) (Not so English!)
András Schiff, piano (play - 2 hours)
French Suites (1722-1725) (6 - about 15 minutes each) (Very French)
András Schiff, piano (play - 1 hour 40 mins)
Partitas (for Harpsichord), BWV 825–830 (1725 - c. 1730) (6 - about 20 min each)
The Partitas are also known as Clavier-Übung I (Keyboard Practices I).
They are also (dance movement) suites.
The French Overture, BWV 831 (Overture in the French style)
(also a Baroque suite)
The Italian Concerto, BWV 971 (Concerto in the Italian taste)
(a three movement concerto w/o orchestra)
Inventions (15) and Sinfonias (15), BWV 772–801 (1723) (about 55 minutes total)
(aka. The Two and Three Part Inventions). These are contrapuntal
(aka. The Two and Three Part Inventions). These are contrapuntal
works, sort of simplistic fugues.
The Art of the Fugue (Die Kunst der Fuge) (late 1740s, pub. 1751)
The Art of the Fugue was not completed at Bach's death in 1750. 14 fugues and 4 canons
were composed, but not (yet?) scored for particular instruments. So today they are played
on organ, harpsichord or piano, or by small vocal and instrumental chamber groups or
larger orchestras.
Marta Czech, piano (play - 80 minutes)
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